Ang Lee Two Time Academy Award Winning Director movie online in english with subtitles in 2160p 16:96/7/2017 Academy Awards Best Director Facts & Trivia (1) Note: Oscar® and Academy Awards® and Oscar® design mark are the trademarks and service marks and the Oscar. The Academy Award for Best Picture is one of the Academy Awards presented annually since the awards debuted in 1929, by the Academy of Motion Picture Arts and. With Emma Thompson, Kate Winslet, James Fleet, Tom Wilkinson. Dashwood dies, leaving his second wife and her three daughters poor by the. Premature Oscar Predictions: The 2. Best Picture Academy Award Contenders. You’re weary. You’ve suffered through months of campaigning, backbiting, frustration, joy, tears, and maybe depression. And then, just like that, it’s all finally over. The Oscars obviously took place this past Sunday, with investigative thriller “Spotlight” the surprise and well- deserved Best Picture winner. It was a bit of a shock that the Academy would award a film this deserving, but one also as mannered, subdued and a bit unsexy. You’re just relieved the season is over and you’d like to move on and maybe sleep for a few months. READ MORE: 2. 01. Oscars: The Best And Worst Of The 8. Academy Awards. Surprise! We have a great “recovery” feature just for you. Yes, we know it’s ridiculous to be thinking about the next Oscar season just a couple of days after the previous one ended. It’s also a little masochistic and sadomasochistic, but being that it’s become something of a warped tradition here at the Playlist, we always take what should be our switching- off coma week to look forward to the movies we might be talking about over the next twelve months as having awards potential. Yes, we are highly aware these are very early, very premature predictions and that anything can happen. READ MORE: The 6 Biggest Surprises Of the 2. Oscars. But when you think about it, the 2.
As its wont to do in recent years, the Sundance Film Festival has already unveiled some potent titles that could be very viable back in January and which have already began bubbling in the awards- season narrative (like it or not). READ MORE: Analyze This: Why . Plus, it’s a bit of a nice head cleanser to talk about some different movies for a bit. So with all that mind, below you’ll find our eleven Best Picture picks, mostly sight unseen. And be forewarned: we’ll be making premature predictions all week, though remember, they’re all in loose, good fun, and nothing you should take too seriously. Let us know your own long- range predictions and stay tuned for more. Best Picture“Birth Of A Nation”A Sundance sensation the likes of which has rarely ever been seen, the directorial debut of actor Nate Parker regarding the slave rebellion of Nat Turner blew the roof off Park City in January and was immediately snapped up by Fox Searchlight for $1. Sundance history (or of any festival). Clearly the Oscars fit into the plan for the studio —which had success with “1. Years A Slave” in 2. Parker’s film drawing comparisons to both that film and “Braveheart,” and with a prime October release date, the studio is not messing about with it. With the #Oscars. So. White controversy dominating proceedings this past season, Parker’s film (read our review) seems primed to redress the balance. Expect to see it pop up at other festivals like Cannes and the Toronto International Film Festival to keep its momentum up through the fall, but this is as close to a lock as you can get with 3. His summer releases tend to fare less well —in the last thirty years of his Best Picture nominees, only “Saving Private Ryan” had a summer date— but “The BFG” could well have the right stuff. This adaptation of Roald Dahl’s beloved classic reunites Spielberg with this year’s Oscar- winner Mark Rylance as the titular Big Friendly Giant, with the director working from a script from Melissa Mathison (who sadly passed away last year) for the first time since “E. T.” It looks to be true Spielberg awe- and- wonder territory, and in a year with few awards- friendly blockbuster prospects, few would bet against it. That said, there is a potential spoiler lurking, with Focus’s similarly- themed “A Monster Calls,” which has a prize- winning, emotionally potent and much- lauded source material, and an Oscar- friendly cast including Felicity Jones and Liam Neeson. Based on Ben Fountain’s award- winning novel, it’s a story about a group of soldiers from the Iraq war set during a salute to the soldiers during a football game, a sort of mix of “The Hurt Locker” and “Flags Of Our Fathers,” but with a lightly satirical tone. Lee’s pushing things forward technically with the film —shooting in 1. FPS 3. D—and has attracted A- list collaborators with a script from “Slumdog Millionaire” scribe Simon Beaufoy. His usual against- the- grain casting is in full force too: only Lee could bring together Kristen Stewart, Steve Martin, Vin Diesel, Chris Tucker and Garret Hedlund in a cast led by a complete newcomer, Joe Alwyn. Lee’s not above the occasional “Taking Woodstock”- style misfire, but if this works, expect it to be a big player. The film’s a biopic of Ray Kroc, the man responsible for transforming Mc. Donald’s from a handful of California restaurants to a world- beating exponent of American- style capitalism, while screwing over the Mc. Donald brothers in the process. Laura Dern, Patrick Wilson and Nick Offerman also star in the film, and though it comes from “The Blind Side” helmer John Lee Hancock, expect something a little more “The Social Network” than “Saving Mr. Banks,” if reports of the script from Onion veteran and “The Wrestler” writer Robert D. Siegel are anything to go by. After a couple of disappointing years and with rumors of difficulties, The Weinstein Company will be looking to make a splash in the coming year, and “The Founder” definitely looks like their best prospect, especially with Keaton as its lucky charm .“Jackie” The busiest filmmaker around right now might be the Chilean helmer Pablo Larrain, who has three movies due for release in 2. The project, which follows Jackie Kennedy (Natalie Portman) in the days following the assassination of John F. Kennedy, has been kicking around for a few years, with names like Steven Spielberg and Darren Aronofsky attached, but it’s Larrain who got it over the line, and he’s a perfect fit for the material. We looked at the script by Noah Oppenheim way back in the day, and it was a very strong piece of work even then, and Larrain’s cast it with ringers like Portman, Greta Gerwig, Billy Crudup, Peter Sarsgaard and John Hurt. The movie wraps shortly, and should be ready for the fall festivals: it doesn’t have a distributor yet, but assuming this lives up to expectations, it’ll be a contender.“La La Land”Damien Chazelle’s “Whiplash” was the little film that could: a brilliantly executed yet modest little drama about a jazz drummer and his teacher that swept Sundance and Cannes before resonating at the Oscars, at which it won three awards, more than heavy hitters like “American Sniper,” “Boyhood,” “The Imitation Game” and “The Theory Of Everything.” Chazelle is back this year with an ambitious third feature: an original Hollywood- set musical about the romance between a jazz pianist and an aspiring actress, with Ryan Gosling and Emma Stone in lead roles. It could turn out to be an enormous folly in the tradition of “At Long Last Love” or “One From The Heart,” but Chazelle has talent to burn, and the cast he’s assembled (with Oscar winner J. K. Simmons reuniting with him, and Rosemarie De. Witt and “The Big Short” breakout Finn Wittrock as well) suggests he’s got something here. The film’s currently set for a summer release, which won’t help its Oscar chances, but if it turns out to be a successful Hollywood- set musical, it could go the distance. That doesn’t always necessarily lead to Oscar glory, but reaction to the film, which involves Casey Affleck as a man who returns to his hometown after his brother’s death to take care of his nephew, suggests that it packs the kind of serious emotional punch that should make it an awards favorite. Lonergan’s a critic’s favorite, but he’s also not a complete stranger to the Oscars —“You Can Count On Me” earned two nominations a decade ago— and should get some additional star power thanks to producer Matt Damon. Perhaps this film will prove to be too modest and actor- driven to register for Best Picture, but this is looking good for now. In the sixteen years since, five of his six pictures earned Best Picture and Best Director nods (only “Shutter Island,” a genre- y picture released in February, missed out), and he finally has a statuette of his own for “The Departed.” As such, it means that even when he’s working out of his traditional comfort zone to the extent that he is with his much- anticipated “Silence,” it would be foolish to count Scorsese out. A far cry from the excess and materialism of “The Wolf Of Wall Street,” this film, based on Sh. It’s an unfamiliar setting for Scorsese to some extent, but promises plenty of blood and Catholic contemplation —given his current run, it’d have to be truly inaccessible not to grab the Academy’s attention, especially with Andrew Garfield, Adam Driver and Liam Neeson leading the cast.“A United Kingdom”“Belle” seemed in many ways to have the right stuff for awards consideration —it’s a lush period piece that stealthily used its corset- y trappings to make fascinating points about race, gender and identity. But Fox Searchlight released the film in May, and despite good reviews, that studio was too distracted with “Birdman” and “Grand Budapest Hotel” to give it an Oscar push. Don’t expect that to happen this time with director Amma Asante’s follow- up “A United Kingdom,” which recently wrapped its shoot. Coming from “The King’s Speech” and “Selma” backers Pathe, the film tells the story of Seretse Khama, the king of the country that would become Botswana who was forced to renounce the throne after marrying a white English woman, causing uproar at home in the U. K. It’s an extraordinary story, one well- suited to Asante’s skill set, and she’s got an awards- friendly cast on board, with recent nominee Rosamund Pike and should- have- been- a- nominee David Oyelowo as the leads. Christopher Nolan’s “Dunkirk” movie, but we could see a return to the era before that with “The Zookeeper’s Wife,” an unusually female- driven WWII pic. Based on Diane Ackerman’s best selling novel, it tells the true story of Antonina .
0 Comments
Leave a Reply. |